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Reminiscence of the famous Georgian conductor Djansug Kakhidze on the occasion of his 80th anniversary. He belonged to the small but highly prestigious group of East European conductors who set up a cultural counterdraft to the political conflicts in the times of cold war. He conducted almost every A class symphony orchestra of his hemisphere and became a much-vaunted advocate of late romantic orchestral repertoire.

Reminiscence of the famous Georgian conductor Djansug Kakhidze on the occasion of his 80th anniversary two years ago. He belonged to the small but highly prestigious group of East European conductors who set up a cultural counterdraft to the political conflicts in the times of cold war. He conducted almost every A class symphony orchestra of his hemisphere and became a much-vaunted advocate of late romantic orchestral repertoire. Mvravinsky adored him for his Tchaikovsky interpretations and the Neue Zürcher Zeitung called him respectfully „the Georgian Karajan“. And indeed, although most comparisons go lame there were some similarities: the economical gestures, the endless working on sound perfection, the passion for big dynamics and a great affection for the Golden Age of classic and romantic music. But other than Karajan he did not only put most of his emphasis on the sheer beauty of the orchestral sound but also investigated the disaccords in the music and did not hesitate to unfold it.